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At the Feet of The Mother

The Mother’s Balcony Darshans

Question: Sweet Mother, every day we go for the Balcony Darshan, and here at the Playground we come for the March Past and the Concentration.1 What should be our approach to each one of these things?

The Mother’s answer:
“The most indispensable thing in every case is receptivity.

At the Balcony, for example. When I come on the Balcony I make a special concentration, you notice that I look at everybody, don’t you; I look, see, pass my eyes over every one, I know all who are there, and where they are, and I give each one exactly what he needs; I see his condition and give him what is necessary. It can go fast, because otherwise I would keep you there for half an hour, but I do it, that’s what I do. That’s the only reason why I come out, because otherwise I carry you in my consciousness. I carry you in my consciousness always, without seeing you, I do what is necessary. But here it is a moment when I can do it by touching the physical directly, you see; otherwise it is through the mind that it acts, the mind or the vital. But here I touch the physical directly through the sight, the contact of sight; and that’s what I do—each time.

So if each one who comes, comes with a kind of trust, of inner opening, and is ready to receive what is given, and naturally is not dispersed… there are people there who pass their time looking at what is happening, what the others are doing; and in this way they don’t have much chance to receive anything very much… but if one comes concentrated on what he can receive and is as quiet as possible, and as though he were open to receive something, as though he were opening his consciousness, like this (gesture) to receive something—if one has a particular difficulty or problem, one can put it in an aspiration, but it is not very necessary, because usually between what people think about themselves and the condition in which they are, there is always a little difference, in the sense that it’s not quite the thing; their way of feeling or seeing the thing creates a little deformation, so I am obliged to cross over their deformation; whereas if they don’t think about anything, if they are simply like this (gesture), open and awaiting the Force—I go straight in and what has to be done I do. And that’s the moment when I know exactly, you see, I do this (gesture), quite slowly—from above I see very well, very well—exactly the condition in which each one is. That’s the morning’s work.

The “Concentration” is something absolutely different. I try, first, to make the atmosphere as calm, quiet, unified as possible, as though I were spreading the consciousness out wide, like this (gesture); and then from far above I bring down the Force as much as I can and put it upon you as strongly as I can. So this depends exclusively on whether one is quite tranquil and well concentrated; here one must be concentrated, one must not be dispersed, one must be concentrated, but very… how to put it?… plain, very horizontal. Like this (gesture). Then the Force puts a pressure. And it’s above all for unifying, penetrating the whole and endeavouring to make of it something cohesive which can express collectively the Force from above.

In the morning it is an individual work, in the evening it is a collective work. But naturally, within that, each one can feel individually, but you see, it is a work of unification which I do in the evening. Each one receives according to his receptivity and the state in which he is.”

27 July 1955 [CWM 7: 253-255]

The film was produced by Arvind Akki, Sri Aurobindo Ashram.

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